Search Result
|
|
Bach Bibliography Search Result |
Series : ^HarvardPubM$Your search has generated the following results ...
Show full details : ON
Max number of results shown : 300
Output sorted : chronologically (table)
| Type | List | Author  | Title [further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|---|
 | 1. | Hill, Robert (ed.) | Keyboard Music from the Andreas Bach Book and the Möller Manuscript. Foreword by Christoph Wolff. Cambridge MA: Department of Music, Harvard University, 1991. xlvii, 210p. (= Harvard publications in Music, 16) | HarvardPubM | 16 | xlvii, 210p |
 | ||
 | 2. | Blackbourn, David | The German Eighteenth Century: Marking Time. | HarvardPubM | 22 | 3-15 |
[fs]CWolff | ||
| | 3. | Christensen, Thomas | Fundamenta Partiturae: Thorough Bass and Foundations of Eighteenth-Century Composition Pedagogy. | HarvardPubM | 22 | 17-40 |
[fs]CWolff | ||
| | 4. | Danuser, Hermann | Mishmash or Synthesis? On the Psychagogic Form of The Creation. Trans. by Nicolas Betson. | HarvardPubM | 22 | 41-78 |
[fs]CWolff | ||
| | 5. | Sisman, Elaine | Six of One: The Opus Concept in the Eighteenth Century. | HarvardPubM | 22 | 79-107 |
[fs]CWolff | ||
| | 6. | Butt, John | Bach's Passions and the Textures of Time. | HarvardPubM | 22 | 111-120 |
[fs]CWolff | ||
| | 7. | Chafe, Eric T. | Bach and Hypocrisy: Appearance and truth in Cantatas 136 and 179. | HarvardPubM | 22 | 121-143 |
[fs]CWolff | ||
| | 8. | Durante, Sergio | Tartini and his Texts. | HarvardPubM | 22 | 145-186 |
[fs]CWolff | ||
| | 9. | Melamed, Daniel R. | The Evolution of 'Und wenn die Welt voll Teufel wär' BWV 80/5. | HarvardPubM | 22 | 189-205 |
[fs]CWolff | ||
| | 10. | Schulze, Hans-Joachim | Bach and Mozart: From the Perspective of Different Documentary Evidence. | HarvardPubM | 22 | 207-216 |
[fs]CWolff | ||
| | 11. | Wollny, Peter | On Johann Sebastian Bach's Creative Process: Observations from His Drafts and Sketches. | HarvardPubM | 22 | 217-238 |
[fs]CWolff | ||
| | 12. | Zaslaw, Neal | One More Time: Mozart and his Cadenzas. | HarvardPubM | 22 | 239-249 |
[fs]CWolff | ||
| | 13. | Konrad, Ulrich | On Ancient Languages: The Historical Idiom in the Music of Wolfgang Amadé Mozart. Trans. by Thomas Irvine. | HarvardPubM | 22 | 253-278 |
[fs]CWolff | ||
| | 14. | Strohm, Reinhard | Eighteenth-Century Music as a Socio-Political Metaphor? [BWV 12] | HarvardPubM | 22 | 279-296 |
[fs]CWolff | ||
| | 15. | Webster, James | The Century of Handel and Haydn. | HarvardPubM | 22 | 297-315 |
[fs]CWolff | ||
| | 16. | Wheelock, Gretchen A. | Mozart's Fantasy, Haydn's Caprice: What's in a Name? | HarvardPubM | 22 | 317-341 |
[fs]CWolff | ||
| | 17. | Hogwood, Christopher | The Clavier Speaks. | HarvardPubM | 22 | 345-370 |
[fs]CWolff | ||
| | 18. | Koopman, Ton | Ten Years of Bach Cantatas. | HarvardPubM | 22 | 371-377 |
[fs]CWolff | ||
| | 19. | Levin, Robert D. | Mozart's Working Methods in the Keyboard Concertos. | HarvardPubM | 22 | 379-406 |
[fs]CWolff | ||
 | 20. | Kelly, Thomas Forrest; Gallagher, Sean (eds.) | The Century of Bach and Mozart: Perspectives on Historiography, Composition, Theory and Performance. In Honor of Christoph Wolff. Cambridge, MA: Harvard University Press, 2008. xii, 427p. ISBN-10: 0964031736; ISBN-13: 978-0964031739. (= Isham Library Papers 7; Harvard Publications in Music, 22) | HarvardPubM | 22 | xii, 427p |
[fs]CWolff |